Film Production
Number of Seats: 21 (7 in each specialisation)
Minimum Qualification: Graduation
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| Editing |
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| Semester I (Common Module) |
- Arts and Aesthetics
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a. Introduction to art and visual art
b. Visualization exercise
c. Communication history and theory
d. Narrative History and Theory
e. Film History
f. Narrative formats – Feature, Documentary and Shorts
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- Camera
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a. Basics of Photography
b. Pinhole camera
c. Process of Image Formation in still camera
d. Study of lenses, Depth of Field, Angle and Composition
e. Basics of video camera and its mechanism
f. Technical formats of video – PAL, NTSC, MESECAM
g. Study of quality of Light in temperature
h. Three point lighting
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a. Introduction to Sound and its purpose
b. Principles and quality of sound
c. Microphones, cables and connectors
d. Responses of sound and selection of Mikes
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- Editing
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a. Introduction to Editing
b. Editing – travelling through time and space
c. Montage Theory
d. Principles of Editing and patterns
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- Projects
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a. Arts and Aesthetics – Project report
b. Making of Pinhole camera – Light and Shadow
c. Story telling by stills – Photo Feature
d. Coordination and Continuity exercise – Visual story
e. Capturing various sounds – Ambience
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| Editing Semester II |
This semester is aimed at imparting an overall introduction to basics of editing, editing software and various editing patterns. The fundamental constituents of narrative structures, montage theory and concept of time and space are taught with the help of discussion and analysis of landmark films from around the world. The cleaning of sound from the recorded material and creating the right aural design that supports the visuals to tell the story effectively is analysed. Experienced professionals from the industry are invited to organise workshops to impart specialized technical skills in editing patterns.
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a. Basics of Graphics and Titling
b. Editing on software – Premier, FCP and Avid
c. Colour Correction
d. Styles of editing fiction, documentary, Promo
e. Stop Block technique
f. Study the Definition of the shots
g. Study of Imaginary line
h. Sound Vs. Music
i. Moods of Music
j. Designing Sound
k. Sound Level c and frequency response controls
l. Editing Sound and audio Mixing
m. Mastering for Broadcasting
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- Projects
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a. Song picturisation
b. Action sequence
c. Misc-en-scene
d. Small Documentary
e. Promo film
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| Semester III (Common Module) |
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After the learning of two semesters, the third semester is again a time for students from all streams to collaborate together. This semester is dedicated for students to showcase their learning of the subject by making a diploma film. The film can be either a short fiction of not more than 15 minutes or a documentary of more than 60 minutes. These films work as a portfolio for the students which they can showcase for their professional career ahead. |
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